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Issue 18 • Fully On Chain
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Yo! Hope you all are having a good start to 2026! I’ve have
been hard at work setting up the foundation for a good year for
Fully On Chain. Today I am introducing three
new features to the site to kick things off. 🚀
I’ve created a tool to help scan NFT projects to determine
their onchain-ness and return scores. What makes this special is
the api service that this is built with. This service will
unlock a lot of potential possibilities as it will allow for
integrations across different applications and projects (Our
next feature is a good example!). There are still a few kinks to
iron out so it will be in beta for a while but I’m happy with
the progress of it so far! Check it out and let me know what you
think.
With the previous project submit system there was a lot of
manual work to get a project from submission to displaying on
the site. I’ve streamlined that whole process and will hand the
keys over to you! Readers can now submit a contract with project
details, creator info, and images. All that is left is for us to
review and approve!
I have additionally added for the support of 1 of 1s to be
submitted to the site. This will allow for art pieces that are
continually being added to a contract to still show up as new on
the project list. I am planning to expand more on to how 1 of 1
pieces look and function on the site.
Please take a look and let me know what you all think! Also,
please share Fully On Chain with your friends and on X/Twitter,
it would mean a lot to me!
Cheers,
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A 1/1/64 on-chain ETH artwork with signed prints and
telemetry-based traits, presented in HEFT SOLO IV:
WATCHING, a solo show exploring surveillance, AI, and the
recursive gaze through pixelated, data-driven
imagery.
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In case you missed it, there was a nicely curated
exhibition from some of the most notable on-chain
creators. Intimate Systems explores the quiet, interior
spaces that exist within networks designed for
visibility.
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A punks derivative with an exciting on-chain survival
game mechanic. The last dog alive wins the pot.
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A continuously running Ethereum-based kinetic sculpture
exploring time, recurrence, and computational
change.
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Yigit Duman’s Redemption of Sisyphus is a fully
on-chain AI artwork that can only be claimed by
expending massive compute to verifiably reproduce
the intended image.
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OpenSea now supports the ERC-4804 (web3://)
standard, allowing NFTs to serve metadata fully
onchain by returning Web3 URIs that resolve directly
to EVM contract calls
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Plugins for verifying security of audit fixes,
scanning for common Critical vulnerabilities,
pattern-matching and more.
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Ripe explores how onchain generative art embraces
infinite algorithmic potential while redefining
scarcity as something that emerges from time,
participation, and human decisions rather than fixed
supply.
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Yigit Duman has opened PUSH4 Studio, the public
exhibition phase of his fully on-chain Ethereum
artwork PUSH4, inviting anyone to create pixel-scale
proxy works that may be permanently curated and
cycled within the token itself.
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If you’re working on an on-chain project or have something cool
to share, just hit reply — I’d love to see it. Keep collecting
on-chain art, and I'll see you next time!
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